Meditation on the Writing Process and Dissertations: Time for a wee break
May 3, 2011 § 4 Comments
I’ve been feeling a lot like a loser lately. And that’s only in the sense that in the wake of an uber-productive weekend (including two revised and polished chapter drafts sent back to my dissertation director), I have been extraordinarily unproductive. Sunday, I chose to rest after grading without feeling guilty about it. And I did rest. And I did not feel guilty. Monday, I did major domestic chores, which included paying bills for a couple of hours and filling out a job application for the Princeton Review so that I can proctor an LSAT exam in a few weeks. I didn’t expect either of those tasks to take as long as they did, but the Internet was acting rather slow for me…I imagine it’s because of Osama Bin Laden’s death, honestly. I think people were clogging up the Interwebs, if such a thing can happen.
Today, though.
Today I have been productive. I’ve read Twelfth Night, which I’ve been trying to do (according to my schedule on iProcrastinate) since last Wednesday. I’ve dog-eared the passages that will be particularly useful to my argument in Chapter Three. And now I’ve chosen to take a little break, not a nap, before plugging away at the segment on Twelfth Night.
As much as I fight it and struggle with guilt, breaks are important. They afford us an opportunity to take a breath, to walk away from the project, to gain some perspective. They might even allow us to recharge our batteries, reignite our motivation to work, offer us the chance to talk to someone else. As I write this massive project, the largest project I have ever worked on, I have had to reevaluate my writing process, my research process, even my very thinking process. How I create ideas, cultivate them, and rework them until they’re cogent has been entirely different from any other project I’ve worked on. No, not even seminar papers (those little conference-papers-to-be or wanna-be-publications) in all their 20-to-25-page glory are developed in quite the same way as a dissertation. I was once told, and I once naively believed, that writing a dissertation is doable simply because, in theory, it’s five or six seminar papers smushed together.
For those who have wisely avoided graduate school (I kid, but only a little), a seminar paper is the end-of-semester culmination of theory and application for a single course that tends to take an overwhelming majority of the total course percentage. If you bomb your seminar paper, you’re in a pretty bad place. Seminar papers can range in required page counts, but most fall between a requisite 20-30 pages minimum. In my line of experience, most professors ask for a 20-25 page paper.
Theoretically, a dissertation chapter would fall on the high-end of a seminar paper page range. But, no, dissertations are not five or six seminar papers smushed together. Anyone who tells you otherwise is a bold-faced liar and you should call them so to their face.
The difference is fairly stark:
1. Dissertations require you to maintain a single theoretical argument from page 1 to page 250. You have to span chapters with this single argument. The success of your dissertation can hinge a great deal on how well you articulate and consistently discuss that argument. It’s all about the follow-through. A 20-25 page paper, though long and daunting in its own way, simply doesn’t have the same requirement about it.
2. Although most PhD candidates will have written more than five or six seminar papers in their entire graduate careers, they likely will not have consistently written on the exact same topic from paper to paper. Frankly, doing so is improbable because of the very nature of graduate work. If a student has had the opportunity to take several graduate-level classes that have curricula identical enough to warrant repeat topics, then that student has been done a vast disservice. Although I haven’t had a graduate-level American lit. course, a fact that I would correct given the opportunity to, the British lit. courses I’ve taken at the graduate level simply did not make it possible for me to write on the same topic consistently.
3. The composition of a dissertation is less about the writing and more about the pre-writing. Yes, pages are what matter. If you have not written a page, then you have not really begun “writing” your dissertation. However. More often than not, the conceptualization of a dissertation takes a long time. (The amount of time differs on an individual basis, but for me, it was two years.) During this time, the candidate is conducting research, asking questions, coming to conclusions, and assessing other writers’ arguments in order to make their own. If a dissertation-writer failed to take the time (however long that is for their own purposes) to do the research and ask the questions and come to the conclusions, then that student’s own argument simply cannot be taken seriously. (How can one claim expertise on a subject, claim even a convincing opinion, when the proper steps have not been taken first?)
Because I am still learning the intricacies of dissertation-writing, I’ll leave my list there for now. But I will clarify this point once more: the dissertation is unlike any writing project I have ever undertaken before. That alone requires me to rework my writing process until it is something that I can sustain over the course of a years-long writing project.
Break’s over. On to Chapter Three.
You are a trooper!
How funny that you wrote this post at this time. You’ll understand if you read the post that I will post in a moment (even though it isn’t the most brilliant post I’ve ever written).
I love Twelfth Night. The more hints you give about your dissertation, the more I want to read it. (Offer still stands you know).
Hang in. One day, you are going to type those last brilliant concluding words and feel wonderful!
“But, no, dissertations are not five or six seminar papers smushed together. Anyone who tells you otherwise is a bold-faced liar and you should call them so to their face.”
Ha! I love it! It’s so true!
Great post–really, really well done. I can understand what you mean. Your explanation is clarifying as I think of writing a book-length memoir. There’s not an overt argument made, but an implied message to share, and in the form of a narrative–tricky business.
Kathy